井上修志
自身が持つ3.11の経験から社会の脆さや危うさ、また対峙する社会と自然の構造に興味を持つ。公共空間に作品を持ち込み、場所で物理的に規定される事、或いは場所へ依存する作品が多い。空間が持つ歴史や意味性を紐解き、自らのフィルターを通して現在と接合する。日常生活で不要になった物や廃棄物などを素材とした彫刻作品やインステレーション作品を手掛ける。

Shuji Inoue
From his experiences of the 3.11 Tohoku earthquake, Inoue is interested in the fragility and risks of society, as well as the points in the structures where society and nature meet. There are many works in public spaces which are physically confined or defined by those spaces. Inoue unravels the history and meaning of those spaces, linking them to the present through his own filter. His sculptures are composed using everyday life materials which would otherwise be waste or were no longer needed.